Brief Bio

Paula Chamlee returned to college in the 1980s majoring in the visual arts to finish a degree she had begun in the 1960s in the performing arts. She earned a B.F.A. in painting in 1988. During this latter part of her college career, she discovered photography and quickly found direct involvement with the world outside the studio to be irresistible. In the thirty years since, she has traveled extensively, making photographs both in the United States and abroad. Chamlee has been the recipient of several grants, including one from the Leeway Foundation for "Excellence in Photography." Her photographs have been widely exhibited in museums and galleries, most recently at Gallery 291 in San Francisco and at the James A. Michener Art Museum, Doylestown, Pennsylvania. Her photographs are in numerous collections, both public and private in the United States and abroad. She is collected in forty museums in the United States, including the Los Angeles County Museum of Art, Cleveland Museum of Art, Museum of Fine Arts, Houston, Philadelphia Museum of Art, Norton Museum of Art, West Palm Beach, and Library of Congress. She has taught workshops in photography in the United States, Austria, Germany, Tuscany, England, France, Iceland, and Australia. She has had seven monographs of her work published.

Her first book, Natural Connections: Photographs by Paula Chamlee, consisting of photographs and writing about the natural landscape, and with an essay by Estelle Jussim, was published in 1994 and established her reputation as a highly original artist working within the classical tradition of straight photography.

In Chamlee's second book, High Plains Farm, published in 1996, she looked to her roots and photographed and wrote about the farm where she grew up on the High Plains of the Texas Panhandle. One critic called High Plains Farm "one of the genuinely significant contributions to photography and landscape study in many a year," while another described it as "epic in its vision and intimate in its humanity."

Her third book, San Francisco: Twenty Corner Markets and One in the Middle of the Block, published in 1997, takes a look at the uniqueness of small, family-owned markets amidst the larger, faster-paced commerce of a big city.

In 2004 she published two books of photographs from Tuscany: Tuscany: Wandering the Back Roads—Volume I, with an essay by Robert Sobieszek, and Madonnina with an essay by Steven Maklansky.

In 2008 she was commissioned to photograph Chicago, and a book of her Chicago photographs, diptychs, triptychs, and quartets combined with her drawings, collages, and assemblages was published in Chicago: Lake in December of 2009.

Chamlee photographed in Iceland in 2004, 2006, and 2010 and her latest book, Iceland: A Personal View, Volume I, with an essay by Jens Rasmussen was published in 2015.

More recently Chamlee is working on a series of photographs of the Texas Panhandle from the air and a series of studio still lifes. In addition to her still photography, Chamlee made her first film, Flow, while in Iceland in 2006, and from footage made in 2010 is currently working on new films from Iceland.

Full Resume:

1944
Born in the Texas Panhandle near the small town of Adrian.
1963–1965
Attends Texas Tech University. Studies Speech and Drama.
1970
Begins to paint and to study art.
1981
Returns to school part-time at the University of South Alabama. Majors in Studio Art with an emphasis on painting.
1985

As a result of a History of Photography class learns the basic technical darkroom procedures in photography and begins first serious work in the medium.
1987
Begins working with a 4x5-inch view camera. Photographs people, interiors and landscapes in and around Mobile, Alabama.
1988

Graduates University of South Alabama with a B.F.A. in painting. Senior thesis exhibition consists mostly of paintings; some photographs included. Travels to the West Coast and photographs extensively in Yosemite National Park. Photographs are exhibited extensively in both solo and group exhibitions in Southern Alabama.
1989
Extensive teaching of photography. Continues to exhibit widely in southern Alabama.
1990

Relocates from Alabama to Pennsylvania. Marries photographer Michael A. Smith. Travels and photographs for six months throughout the Western United States and Canada. Uses only an 8x10-inch view camera on this trip.
1991

Travels and photographs for three months, again in the West. Continues to work with 8x10, occasionally using reducing backs to make smaller photographs.
1992
Begins photographic portrait of Bucks County, Pennsylvania.
1993
Travels and photographs for seven months throughout the western United States, photographing extensively in Utah.
1994

Co-conducts (with Michael A. Smith) a photographic workshop at the Academy of Film and Photography in Prague, and photographs in the Czech Republic. First monograph published, Natural Connections: Photographs by Paula Chamlee. Begins photographic project in Texas, a series of photographs of the farm on the High Plains of the Texas Panhandle where she grew up.
1995

Continues photographing the High Plains Farm. For this work, is awarded grants by The Summerlee Foundation (Dallas, TX) and by The Texas Historical Foundation (Austin, TX).
1996

Second book, High Plains Farm, published in conjunction with exhibition at the Amarillo Museum of Art. PBS documentary film produced by KACV-TV, Amarillo, Texas, about Chamlee and High Plains Farm. Photographs in San Francisco. Is awarded a major grant by The Leeway Foundation (Philadelphia, PA) for Excellence in Photography.
1997

Publishes third book: San Francisco: Twenty Corner Markets and One in the Middle of the Block. Begins series of photographs, "Close to Home."
1998
Travels and photographs in New England, Minnesota, and Texas.
1999
Travels and photographs in Europe, mostly in Italy (Tuscany). Conducts workshops in the United States and in Europe.
2000
Again travels and photographs in Europe, mostly in Italy (Tuscany). Conducts workshops in the United States.
2001
Travels and photographs in western United States and in Italy, mostly in Tuscany. Conducts workshops in the United States and in Europe.
2002
Conducts Master Class at Montgomery College, Rockville, Maryland. Photographs throughout the American West. Conducts workshops in the United States.
2003
Photographs in Baja California. Conducts workshops in the United States.
2004
Photographs in Iceland. Publishes two books: Tuscany: Wandering the Back Roads, Volume I, and Madonnina. Conducts workshops in the United States and in Iceland.
2005

Photographs in Maine. Conducts workshops in the United States.
2006
Photographs in Iceland. Begins work on her first film. Conducts workshops in the United States and in Iceland.

Solo Exhibitions:

1988
University of South Alabama, Mobile, Alabama, Townhouse Gallery, Paula C. Chamlee, Recent Paintings and Photographs
1989
Eastern Shore Art Center, Fairhope, Alabama, Paula Chamlee, Photographs in Black and White
Mobile Area Chamber of Commerce, Mobile, Alabama, Paula Chamlee: Photographs
1990
Keepers of Light Gallery, Mobile, Alabama, Paula Chamlee, New Work
1992
James A. Michener Art Museum, Doylestown, Pennsylvania, Prelude to a Portrait of Bucks County (with Michael A. Smith)
1995
Books and Books, Coral Gables, Florida, Paula Chamlee, Photographs (with Michael A. Smith)
Photographic Archives Gallery, Dallas, Texas, Natural Connections: Photographs by Paula Chamlee
1996
Amarillo Museum of Art, Amarillo, Texas, High Plains Farm
1997
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, Landscapes Rural and Urban
Museum of the Llano Estacado, Wayland University, Plainview, Texas, High Plains Farm
Center for Contemporary Arts, Abilene, Texas, High Plains Farm
Columbus Museum of Art, Columbus, Ohio, Dialogues with the Land:
Photographs by Michael A. Smith and Paula Chamlee
Scott Nichols Gallery, San Francisco, California, The San Francisco Show(three photographers)
1998
Tyler Museum of Art, Tyler, Texas, High Plains Farm
Paris Square Gibson Museum, Great Falls, Montana, High Plains Farm
Coutts Memorial Museum of Art, El Dorado, Kansas, High Plains Farm
Stauth Memorial Museum, Montezuma, Kansas, High Plains Farm
1999
Institute of Texan Cultures, San Antonio, Texas, High Plains Farm
Mulvane Art Museum, Washburn University, Topeka, Kansas, High Plains Farm
Free Library of Philadelphia, Philadelphia, Pennsylvania, Photographs: His and Hers (with Michael A. Smith)
Lotus Gallery of Fine Art, Ostermiething, Austria, Dialogues with the Land(with Michael A. Smith)
2002
Open Lens Gallery, YM/YWHA, Philadelphia, Pennsylvania
2003
Paul Paletti Gallery, Louisville, Kentucky
Travis Gallery, Solebury, Pennsylvania, Alone and Together (with Michael A. Smith)
The Gallery of Corporate and Museum Frames, Richmond, Virginia (with Michael A. Smith)
Fernbank Museum of Natural History, Atlanta, Georgia, Tuscany (with Michael A. Smith)
Archetype Gallery, Allentown, Pennsylvania
2004

De Santos Gallery, Houston, Texas (with Michael A. Smith)
Aughinbaugh Gallery, Messiah College, Grantham, Pennsylvania (with Michael A. Smith)
2005
Gallery 339, Philadelphia, Pennsylvania (with Michael A. Smith)
2007 Bob Bullock Texas State History Museum, Austin, Texas, High Plains Farm
Point Light Gallery, Sydney, Australia (with Michael A. Smith)
Camera Obscura Gallery, Denver, Colorado (with Michael A. Smith)
798 Photo Gallery, Beijing, China (with Michael A. Smith)

Group Exhibitions:

1988
September Celebration, Mobile, Alabama, For Art's Sake
1989
M.C. Farmer Terminal Building, Mobile Municipal Airport, Mobile, Alabama, Three Alabama Artists
The Keepers of Light Gallery, Mobile, Alabama, Gallery Artists
Fine Arts Museum of the South, Mobile, Alabama, Fine Art: The Best of Mobile
1990
Alinder Gallery, Gualala, California, Shoot the Earth: Portrait of a Planet Whirling On
Alinder Gallery, Gualala, California, Picture Presents
1992
James A. Michener Art Museum, Doylestown, Pennsylvania, Bucks Biennial
1993
Alinder Gallery, Gualala, California, United Artists
Scott Nichols Gallery, San Francisco, California, WINTER–Photographs of the Season
1994
Gallery 312, Chicago, Illinois, The Ross Collection: Photographs by the Great Masters of the 19th and 20th Century
American Association of Museums Annual Conference, Seattle, Washington
1995
Fine Arts Museum of the South, Mobile, Alabama, and Huntsville Museum of Art, Huntsville, Alabama, Alabama Impact: Contemporary Artists with Alabama Ties
1996
Photographic Archives Gallery, Dallas, Texas, The Second Annual Portfolio Show
Scott Nichols Gallery, Hotel Triton Art Fair, San Francisco, California
1997
Minneapolis Institute of Arts, Minneapolis, Minnesota, The Poetics of Vision: Photographs from the Collection of Harry M. Drake
Legacy Gallery, Newtown, Pennsylvania, Contemporary Photographers and Their Personal Visions
Eight Elm Film & Video, Toronto, Canada, A Larger View
1998
Candace Perich Gallery, Katonah, New York, American Farm
Aperture Gallery, Salt Lake City
2000

Historic Yellow Spings, Chester Springs, Pennsylvania, Photography: Contemporary Prospect 2000
Salt Lake Art Center, Salt Lake City, Utah, The Big Picture: Ultra Large-Format Photograph
2001

Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, Signs of Faith: Photographs from the Collection
2002

Owen/Patrick Gallery, Philadelphia, Pennsylvania, Hometown: Philadelphia-area Photographers In The Photo Review
Gallery Z, Overland Park, Kansas, Gallery Artists
Magnifico Gallery, Albuquerque, New Mexico, Large Format Photography in New Mexico: Then and Now
Brigham City Museum, Brigham City, Utah, The Great American West: The Black and White Landscape
2003
Los Angeles County Museum of Art, Los Angeles, California, American Landscape Photography After Ansel Adams
The Grolier Club, New York, New York, The Auroral Light: Photographs by Women from Grolier Club Member Collections
Eremo di Santa Caterina, Isola d'Elba, Italy, Hortulus animae : Il roseto di Santa Caterina e l'arte contemporanea
2004
Bucks County Community College Artmobile, Newtown, Pennsylvania, Not Just Another Reality Show
2005
Susquehanna Art Museum, Harrisburg, Pennsylvania, Photography as Fine Art
2006

Amarillo Museum of Art, Amarillo, Texas, Making Panhandle Pictures
Paris Photo, Paris France
2007
Williams Center Gallery, Lafayette College, Easton, Pennsylvania, On Ice

Awards:

1995
Grant from the Summerlee Foundation, Dallas, Texas, in support of High Plains Farm
Grant from the Texas Historical Foundation, Austin, Texas, in support of High Plains Farm
1996
Grant from the Leeway Foundation, Philadelphia, Pennsylvania, for "Excellence in Photograpy"

Collections:

Boca Raton Museum of Art, Boca Raton, Florida
Cincinnati Art Museum, Cincinnati, Ohio
Cleveland Museum of Art, Cleveland, Ohio
Columbus Museum of Art, Columbus, Ohio
Cray Research, Minneapolis, Minnesota
Free Library of Philadelphia, Philadelphia, Pennsylvania
Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota
Harry Ransom Humanities Research Center, University of Texas, Austin, Texas
James A. Michener Museum of Art, Doylestown, Pennsylvania
Library of Congress, Washington, D.C.
Los Angeles County Museum of Art, Los Angeles, California
Maitland Art Center, Maitland, Florida
Mount Sinai Hospital, New York, New York
Museum of Fine Arts, Houston, Texas
Museum of Photographic Arts, San Diego, California
New Orleans Museum of Art, New Orleans, Louisiana
Norton Museum of Art, West Palm Beach, Florida
Philadelphia Museum of Art, Philadelphia, Pennsylvania
Rockford Art Museum, Rockford, Illinois
Rose Art Museum, Brandeis University, Waltham, Massachusetts
Spencer Museum of Art, University of Kansas, Lawrence, Kansas
Southwest Collection, Texas Tech University, Lubbock, Texas
St. Petersburg Museum of Art, St. Petersburg, Florida
The Buhl Collection, New York, New York
Trinity University, San Antonio, Texas
University of North Texas, Denton, Texas
University of Texas at Dallas, Dallas, Texas

Publications:

1994
Natural Connections: Photographs by Paula Chamlee, essay by Estelle Jussim, Lodima Press, Revere, Pennsylvania
1996
High Plains Farm, Foreword by George F. Thompson, Lodima Press, Revere, Pennsylvania
1996
High Plains Farm: A Unique Portfolio, Portfolio of original photographs, Edition of fifteen, Ottsville, Pennsylvania
1997
San Francisco: Twenty Corner Markets and One in the Middle of the Block, Lodima Press, Revere, Pennsylvania
1997

San Francisco: Twenty Corner Markets and One in the Middle of the Block, Portfolio of original photographs, Edition of three, Ottsville, Pennsylvania
2000
A Field in Tuscany, Portfolio of original photographs, Edition of ten, Ottsville, Pennsylvania
2004
Tuscany: Wandering the Back Roads, Volume I, Essay by Robert Sobieszek, Foreword by Ferenc Máté, Lodima Press, Revere, Pennsylvania
2004
Madonnina, Essay by Giuliana Bianchi Galeri, Foreword by Steven Maklansky, Lodima Press, Revere, Pennsylvania
2006
Black & White Magazine, Arroyo Grande, California, December 2006, Issue #47. "Unexpected Encounters in Iceland" Photographs and text

Photographs Published in:

AmericanPHOTO New York, New York January/February, 1990 (1 reproduction)
View Camera Sacramento, California May/June, 1991 (1 reproduction)
Cite: The Architecture and Design Review of Houston Houston, Texas Issue #39, Fall, 1997 Texas Places (Cover plus 9 reproductions)
Lenswork Quarterly Portland, Oregon Portfolio (12 reproductions) Interview on CD-ROM
The Land Report, Number 63 Salina, Kansas Spring 1999, (Front and Back Cover plus 1 reproduction)
View Camera, September/October 1999 (1 reproduction)
The Land Report, Number 64, Summer 1999. Salina, Kansas (3 reproductions)
The Land Report, Number 65, Fall 1999. Salina, Kansas (Front and Back Cover plus 3 reproductions)
View Camera, March/April 2000, "High Plain Farm Portraits," Photographs and text
Photographers' Companion, Beijing, China February/2002 "High Plains Farm," Photographs; text in Chinese

Articles About:

Delaware Valley News, Frenchtown, NJ August 17, 1995. "Their Life is Really in Focus," by James Heaphy
New Hope Gazette, New Hope, PA October 3, 1996. "Foundation awards $120,000 to women photographers–Judith Taylor, Paula Chamlee receive grants."
Doylestown Intelligencer, Doylestown, Pennsylvania October 22, 1996. "Grants Fuel Careers," by Steve Wartenberg
Amarillo Sunday News-Globe Amarillo, Texas November 10, 1996. Life on the Plains," by Jeff Rhoads
The Ithaca Times, Ithaca New York January 9–15, 1997. "Close Contact," by Alison Shaw
The Columbus Dispatch, Columbus, Ohio March 12, 1997. "Parallel Views," by Tim Feran
San Francisco Chronicle, San Francisco, California December 13, 1997. "The Shops Around the Corner– Photographer captures life in family markets," by Sam Whiting
View Camera, Sacramento, California, September/October 1999 "Mammoth Cameras," by Steve Simmons. Review of workshop in Salt Lake City
View Camera, Sacramento, California, September/October 2000 "Seeing the Big Picture," by Lance Duffin
Business Week, New York, New York, April 30, 2001 "An Art Form Comes of Age," by Thane Peterson
Chinese Photography, Beijing, China, January, 2003, "The Story of an American Photographers Couple," Photographs; text in Chinese
Bucks County Herald, Lahaska, Pennsylvania, March 27, 2003. "Photographers featured at Byers Bucks Fever Exhibit: Smith and Chamlee live and work in Ottsville," by Karen Gross
The Doylestown Patriot, Doylestown, Pennsylvania, March 27, 2003. "Got the Fever? CBCC Art Exhibit Set to Open," by Jill Yris
Vega Enterprise, Vega Texas, April 10, 2003. "Through the Viewfinder: Interview with Paula Chamlee and Michael Smith," by Linda Drake
Professional Photographer, Norcross, Georgia, August 2003. "Black and White Fine Art," by Richard Pitnick
Black & White Magazine, Arroyo Grande, California, February 2004, Issue #29. "A Photographic Odyssey," by Richard Pitnick

Reviews:

Photo Review, Langhorne, Pennsylvania, Summer issue, 1995. Review of Natural Connections: Photographs by Paula Chamlee, by Stephen Perloff
Amarillo Sunday News-Globe, Amarillo, Texas, November 10, 1996. Review of High Plains Farm, by Shelley Armitage
El Paso Herald Post, El Paso, Texas April 30, 1997 Review of High Plains Farm: "Books take different paths into the past," by Mary Sarber
Books of the Week, Los Angeles, California May, 1997 Review of High Plains Farm: "U.S. farm life–in pictures," by John Austin
Abilene Reporter-News, Abilene, Texas July 13, 1997 Review of High Plains Farm: "Daughter records tribute to parents' way of life," by Judyth Rigler
Herald Democrat, Denison,Texas, August 17, 1997 Review of High Plains Farm: "High Plains Farm is a treasure," by Jerry Lincecum
Texas Books in Review, Center for the Study of the Southwest, Southwest Texas State University San Marcos, Texas, Winter/Spring 1997–1998 Review of High Plains Farm:" A Longing Look Back at a Disappearing Texas"
Lubbock Avalanche-Journal, Lubbock, Texas, 1997 Review of High Plains Farm exhibition at the Museum of the Llano Estacado, "Chamlee's Photographs Capture Feel of Growing up on Farm" by Phillip L. Hamilton
Panhandle Plains Historical Review Canyon, Texas (in press) Review of High Plains Farm, by Joseph Walsh
Great Plains Quarterly Spring 1998 Review of High Plains Farm, by Bill Ganzel
The Western Library Journal 1999 Vol. 38. No. 1 Review of High Plains Farm, by J.W. Graves
Panhandle-Plains Historical Review: 70 1997 Review of High Plains Farm by Joseph Walsh
Great Plains Quarterly, Spring 1998. Review of High Plains Farm, by Bill Ganzel
The Western Library Journal, 1999 Vol. 38. No. 1. Review of High Plains Farm, by J.W. Graves
Philadelphia Weekly, November 13, 2002, Review of exhibition at the Open Lens Gallery at the Gershman Y
Philadelphia Inquirer, Philadelphia, Pennsylvania, April 20, 2003, Review of exhibition at the Travis Gallery, New Hope, Pennsylvania, Husband and wife showcase visions of Tuscan landscape, by Victoria Donohoe
Philadelphia Inquirer, Philadelphia, Pennsylvania, April 20, 2003, Review of exhibition at the Travis Gallery, New Hope, Pennsylvania, "Husband and wife showcase visions of Tuscan landscape," by Victoria Donohoe
Atlanta Journal Constitution, January 4, 2003, "Tuscan Magic" by Jerry Cullum

Teaching:

1988
Instructor in Photography, Fine Arts Museum of the South, Mobile, Alabama
1989

Instructor in Photography, Fine Arts Museum of the South, Mobile, Alabama
Conducted Workshop, Fine Arts Museum of the South, Mobile, Alabama
Conducted Workshop, Leinkauf School, Mobile, Alabama
1992
Instructor in Photography, Bucks County Community College, Newtown, Pennsylvania
1994
Co-conducted Workshop (with Michael A. Smith), Academy of Film and Photography in Prague, Czech Republic
1999
Conducted Workshop (with Michael A. Smith) at Lotus View Camera, Ostermiething, Austria
Conducted Workshop, "Mammoth and Panoramic Photography," (with Michael A. Smith and Tillman Crane), Waterford Institute, Sandy, Utah
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
2000
Conducted Workshop, "Mammoth and Panoramic Photography," (with Michael A. Smith and Tillman Crane), Waterford Institute, Sandy, Utah
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
2001
Conducted Workshop, Waterford Institute (with Michael A. Smith), Sandy, Utah
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
Conducted Workshop (with Michael A. Smith), Pforzhiem, Germany
2002
Conducted Master Class (with Michael A. Smith), Montgomery College, Rockville, Maryland
Conducted two Workshops, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
2003

Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Pasadena, California
Conducted four Workshops, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
Conducted Workshop, "The Next Step: Marketing your Photographs (with Michael A. Smith and Mary Virginia Swanson), Ottsville, Pennsylvania
2004

Conducted Workshop, "Vision," (with Michael A. Smith), Monterey, California
Conducted Workshops, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
Conducted Workshop, Iceland (with Michael A. Smith)
2005
Conducted Workshops, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
2006

Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Sedona, Arizona
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania
Conducted Workshop at APUG Conference, Toronto, Ontario
Conducted Workshop in Iceland (with Michael A. Smith)
2007

Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Sedona, Arizona
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Black Mountain, Australia
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Tuscany

Lectures:

1992
Bucks County Community College, Newtown, Pennsylvania
1994
American Cultural Center, Prague, Czech Republic
1995

Deep Springs College, Deep Springs, California
Photographic Archives Gallery, Dallas, Texas
1996

Amarillo Museum of Art, Amarillo, Texas
Dallas Museum of Art, Dallas, Texas
1997

Cornell University, Ithaca, New York
Center for Contemporary Art, Abilene, Texas
1998
University of Minnesota, Minneapolis, Minnesota
2001
St. Petersburg Museum of Art, St. Petersburg, Florida
University of Memphis, Memphis Tennessee
2002
Berkshire Museum, Pittsfield, Massachusetts
2003
Messiah College, Grantham, Pennsylvania
Travis Gallery, New Hope, Pennsylvania
2004
Large Format Conference, Monterey, California
Large Format Photography Collective, Cromwell, Connecticut
Clemson University, Clemson, South Carolina
2006
APUG Conference, Toronto, Ontario
Delaware Valley College, Doylestown, Pennsylvania
2007
Scottsdale Community College, Scottsdale, Arizona

Other Professional Activities:

1986–1989
Board of Advisors, Art and the Alabama Woman, Mobile, Alabama
1989
Advisory Board of the American Sport Art Museum and Archives, United States Sports Academy, Daphne, Alabama
1989
Juror, Camera South Exhibition, Mobile, Alabama
1996
PBS documentary film about High Plains Farm, produced by KACV-TV, Amarillo, Texas
2002
Conference Participant and Presenter: Large Format Conference, Albuquerque, New Mexico
2003
Panel Member—On Collecting Photography, Travis Gallery, New Hope, Pennsylvania

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