The Early Year—June 1966–March 1967

Michael A. Smith



Cracked Truck Window #1, 1966, 35-1-1-5, 9x13 Gelatin SIlver Print
Cracked Truck Window #2, 1966, 35-1-1-6, 9x13 Gelatin SIlver Print
Lisa, 1966, 35-1-3-4, 9x13 Gelatin SIlver Print
Daniel, 1966, 15-5-3, 9x13 Gelatin SIlver Print
Young Boy, 1966, 25-7-1-5, 9x13 Gelatin SIlver Print
Reflection, 1966, 35-6-4-3, 9x13 Gelatin SIlver Print
Doorknob, 1966, 35-9-2-3, 9x13 Gelatin SIlver Print
Standpipe, 1966, 35-16-2-3, 9x13 Gelatin SIlver Print
Along Wissahickon Creek, Philadelphia, 1966, 35-18-6-1, 9x13 Gelatin SIlver Print
Goddard College, Vermont, 1966, 35-31-1-1, 9x13 Gelatin SIlver Print
Runs, Philadelphia, 1966, 35-37-1-1, 9x13 Gelatin SIlver Print
Behind the Philadelphia Art Museum, 1966, 35-45-1-1, 9x13 Gelatin SIlver Print
Behind the Philadelphia Art Museum, 1967, 35-47-6-5, 9x13 Gelatin SIlver Print
My Brother and HIs Girlfriend, 1966, 35-48-1-3-2, 9x13 Gelatin SIlver Print
Philadelphia, 1967, 35-58-6-4, 9x13 Gelatin SIlver Print
Philadelphia, 1967, 35-55-2-4, 9x13 Gelatin SIlver Print
Sunfish Pond, New Jersey, 1967, 63-2-6, 9x13 Gelatin SIlver Print
Mt. Desert Island, Maine, 1967, 35-65-4-1, 9x13 Gelatin SIlver Print
Chester County, Pennsylvania, 1967, 35-55-4-4, 9x13 Gelatin SIlver Print

In early 1966, eight or nine months after seeing a film about Edward Weston, I began seeing the world as if I had a camera to my eye. This persisted for a few months and I determined that I would be a photographer. At this time I did not even know the term fstop existed or how to use a camera.

Here are a few photographs I made with a 35mm camera from June of 1966 into March of 1967, at which time I began using an 8x10-inch view camera. I never went back to using a 35mm camera.

The first three photographs, the one of the girl in the ivy and two of cracked glass are from my first roll of film. Photography was clearly the right medium for me. As you can readily see, I was interested in photgraphing all types of subject matter. A more detailed account of this time in my life is here.





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