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BRIEF
CAREER CHRONOLOGY:
1944
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Born in the Texas Panhandle
near the small town of Adrian. |
19631965
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Attends Texas Tech University.
Studies Speech and Drama. |
1970
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Begins to paint and to study
art. |
1981
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Returns to school part-time
at the University of South Alabama. Majors in Studio Art with an emphasis
on painting. |
1985
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As a result of a History of
Photography class learns the basic technical darkroom procedures in photography
and begins first serious work in the medium. |
1987
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Begins working with a 4x5-inch
view camera. Photographs people, interiors and landscapes in and around
Mobile, Alabama. |
1988
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Graduates University of South
Alabama with a B.F.A. in painting. Senior thesis exhibition consists mostly
of paintings; some photographs included. Travels to the West Coast and photographs
extensively in Yosemite National Park. Photographs are exhibited extensively
in both solo and group exhibitions in Southern Alabama. |
1989
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Extensive teaching of photography.
Continues to exhibit widely in Southern Alabama. |
1990
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Relocates from Alabama to Pennsylvania.
Marries photographer Michael A. Smith. Travels and photographs for six months
throughout the Western United States and Canada. Uses only an 8x10-inch
view camera on this trip. |
1991
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Travels and photographs for
three months, again in the West. Continues to work with 8x10, occasionally
using reducing backs to make smaller photographs. |
1992
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Begins photographic portrait
of Bucks County, Pennsylvania. |
1993
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Travels and photographs for
seven months throughout the western United States, photographing extensively
in Utah. |
1994
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Co-conducts (with Michael A.
Smith) a photographic workshop at the Academy of Film and Photography in
Prague, and photographs in the Czech Republic. First monograph published,
Natural Connections: Photographs by Paula Chamlee. Begins photographic
project in Texas, a series of photographs of the farm on the High Plains
of the Texas Panhandle where she grew up. |
1995
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Continues photographing the
High Plains Farm. For this work, is awarded grants by The Summerlee Foundation
(Dallas, TX) and by The Texas Historical Foundation (Austin, TX). |
1996
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Second book, High Plains
Farm, published in conjunction with exhibition at the Amarillo Museum
of Art. PBS documentary film produced by KACV-TV, Amarillo, Texas, about
Chamlee and High Plains Farm. Photographs in San Francisco. Is awarded
a major grant by The Leeway Foundation (Philadelphia, PA) for Excellence
in Photography. |
1997
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Publishes third book: San
Francisco: Twenty Corner Markets and One in the Middle of the Block.
Begins series of photographs, "Close to Home." |
1998
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Travels and photographs in
New England, Minnesota, and Texas. |
1999
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Travels and photographs in
Europe, mostly in Italy (Tuscany). Conducts workshops in the United States and in Europe. |
2000
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Again travels and photographs in
Europe, mostly in Italy (Tuscany). Conducts workshops in the United States. |
2001
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Travels and photographs in
western United States and in Italy, mostly in Tuscany. Conducts workshops in the United States and in Europe. |
2002
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Conducts Master Class at
Montgomery College, Rockville, Maryland. Photographs throughout the American
West. Conducts workshops in the United States.
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2003
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Photographs in Baja California.
Conducts workshops in the United States. |
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SOLO
EXHIBITIONS:
1988
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University of South Alabama, Mobile, Alabama, Townhouse Gallery, Paula C. Chamlee, Recent Paintings and Photographs |
1989
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Eastern Shore Art Center, Fairhope, Alabama, Paula Chamlee, Photographs in Black and White
Mobile Area Chamber of Commerce, Mobile, Alabama, Paula Chamlee: Photographs |
1990
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Keepers of Light Gallery, Mobile,
Alabama, Paula Chamlee, New Work |
1992
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James A. Michener Art Museum, Doylestown, Pennsylvania, Prelude to a Portrait of Bucks County (with Michael A. Smith) |
1995
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Books and Books, Coral Gables,
Florida, Paula Chamlee, Photographs (with Michael A. Smith)
Photographic Archives Gallery, Dallas, Texas, Natural Connections: Photographs by Paula Chamlee |
1996
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Amarillo Museum of Art, Amarillo, Texas, High Plains Farm |
1997
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Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, Landscapes Rural and Urban
Museum of the Llano Estacado, Wayland University, Plainview, Texas, High Plains Farm
Center for Contemporary Arts, Abilene, Texas, High Plains Farm
Columbus Museum of Art, Columbus, Ohio, Dialogues with the Land:
Photographs by Michael A. Smith and Paula Chamlee
Scott Nichols Gallery, San Francisco, California, The San Francisco Show(three photographers) |
1998
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Tyler Museum of Art, Tyler, Texas, High Plains Farm
Paris Square Gibson Museum, Great Falls, Montana, High Plains Farm
Coutts Memorial Museum of Art, El Dorado, Kansas, High Plains Farm
Stauth Memorial Museum, Montezuma, Kansas, High Plains Farm |
1999
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Institute of Texan Cultures, San Antonio, Texas, High Plains Farm
Mulvane Art Museum, Washburn University, Topeka, Kansas, High Plains Farm
Free Library of Philadelphia, Philadelphia, Pennsylvania, Photographs:
His and Hers (with Michael A. Smith)
Lotus Gallery of Fine Art, Ostermiething, Austria, Dialogues with the
Land(with Michael A. Smith) |
2002
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Open Lens Gallery, YM/YWHA, Philadelphia, Pennsylvania |
2003
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Paul Paletti Gallery, Louisville, Kentucky
Travis Gallery, Solebury, Pennsylvania, Alone and Together (with Michael A. Smith)
The Gallery of Corporate and Museum Frames, Richmond, Virginia (with Michael A. Smith)
Fernbank Museum of Natural History, Atlanta, Georgia, Tuscany (with Michael A. Smith)
Archetype Gallery, Allentown, Pennsylvania
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2004
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IC Gallery, Amarillo, Texas (with Michael A. Smith) |
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GROUP EXHIBITIONS:
1988
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September Celebration, Mobile, Alabama, For Arts Sake |
1989
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M.C. Farmer Terminal Building,
Mobile Municipal Airport, Mobile, Alabama, Three Alabama Artists
The Keepers of Light Gallery, Mobile, Alabama, Gallery Artists
Fine Arts Museum of the South, Mobile, Alabama, Fine Art: The Best of Mobile |
1990
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Alinder Gallery, Gualala, California, Shoot the Earth: Portrait of a Planet Whirling On
Alinder Gallery, Gualala, California, Picture Presents |
1992
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James A. Michener Art Museum, Doylestown, Pennsylvania, Bucks Biennial |
1993
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Alinder Gallery, Gualala, California, United Artists
Scott Nichols Gallery, San Francisco, California, WINTERPhotographs of the Season |
1994
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Gallery 312, Chicago, Illinois,
The Ross Collection: Photographs by the Great Masters of the 19th and
20th Century
American Association of Museums Annual Conference, Seattle, Washington |
1995
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Fine Arts Museum of the South,
Mobile, Alabama, and Huntsville Museum of Art, Huntsville, Alabama, Alabama
Impact: Contemporary Artists with Alabama Ties |
1996
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Photographic Archives Gallery, Dallas, Texas, The Second Annual Portfolio Show
Scott Nichols Gallery, Hotel Triton Art Fair, San Francisco, California |
1997
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Minneapolis Institute of Arts, Minneapolis, Minnesota, The Poetics of Vision: Photographs from the Collection of Harry M. Drake
Legacy Gallery, Newtown, Pennsylvania, Contemporary Photographers and Their Personal Visions
Eight Elm Film & Video, Toronto, Canada, A Larger View |
1998
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Candace Perich Gallery, Katonah, New York, American Farm
Aperture Gallery, Salt Lake City |
2000
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Historic Yellow Spings, Chester Springs, Pennsylvania,
Photography: Contemporary Prospect 2000 Salt Lake Art Center, Salt Lake City, Utah,
The Big Picture: Ultra Large-Format Photograph
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2001
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Spencer Museum of Art,
The University of Kansas, Lawrence, Kansas, Signs of Faith:
Photographs from the Collection
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2002
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Owen/Patrick Gallery, Philadelphia, Pennsylvania,
Hometown: Philadelphia-area Photographers In The Photo Review
Gallery Z, Overland Park, Kansas, Gallery Artists
Magnifico Gallery, Albuquerque, New Mexico, Large Format Photography in New Mexico: Then and Now
Brigham City Museum, Brigham City, Utah, The Great American West: The Black and White Landscape
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2003
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Los Angeles County Museum of Art, Los Angeles, California, American Landscape Photography After Ansel Adams
The Grolier Club, New York, New York, The Auroral Light: Photographs by Women from Grolier Club Member Collections
Eremo di Santa Caterina, Isola d'Elba, Italy, Hortulus animae : Il roseto di Santa Caterina e l'arte contemporanea
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AWARDS:
1995
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Grant from the Summerlee Foundation, Dallas, Texas,
in support of High Plains Farm
Grant from the Texas Historical Foundation, Austin, Texas, in support of High Plains Farm
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1996
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Grant from the Leeway Foundation, Philadelphia,
Pennsylvania, for "Excellence in Photograpy"
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COLLECTIONS:
Boca Raton Museum of Art, Boca
Raton, Florida |
The Buhl Collection, New York, New York |
Cincinnati Art Museum, Cincinnati,
Ohio |
Clevland Museum of Art, Clevland,
Ohio |
Columbus Museum of Art, Columbus,
Ohio |
Cray Research, Minneapolis,
Minnesota |
Free Library of Philadelphia,
Philadelphia, Pennsylvania |
Frederick R. Weisman Art Museum,
University of Minnesota, Minneapolis, Minnesota |
Harry Ransom Humanities Research
Center, University of Texas, Austin, Texas |
James A. Michener Museum of
Art, Doylestown, Pennsylvania |
Library of Congress, Washington,
D.C. |
Los Angeles County Museum of
Art, Los Angeles, California |
Museum of Fine Arts, Houston,
Texas |
New Orleans Museum of Art,
New Orleans, Louisiana |
Norton Museum of Art, West
Palm Beach, Florida |
Rockford Art Museum, Rockford,
Illinois |
Rose Art Museum, Brandeis University,
Waltham, Massachusetts |
Spencer Museum of Art, University of Kansas, Lawrence, Kansas |
Southwest Collection, Texas
Tech University, Lubbock, Texas |
St. Petersburg Museum of Art, St. Petersburg, Florida |
Trinity University, San Antonio,
Texas |
University of North Texas,
Denton, Texas |
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PUBLICATIONS:
1994
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Natural Connections: Photographs by Paula Chamlee, essay by Estelle Jussim, Lodima Press, Revere, Pennsylvania |
1996
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High Plains Farm, Foreword by George F. Thompson, Lodima Press, Revere, Pennsylvania |
1996
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High Plains Farm: A Unique
Portfolio, Portfolio of original photographs, Edition of fifteen, Ottsville,
Pennsylvania |
1997
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San Francisco: Twenty Corner Markets and One in the Middle of the Block, Lodima Press, Revere, Pennsylvania |
1997
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San Francisco: Twenty Corner Markets and One in the Middle of the Block, Portfolio of original photographs, Edition of three, Ottsville, Pennsylvania |
2000
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A Field in Tuscany, Portfolio of
original photographs, Edition of ten, Ottsville, Pennsylvania |
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PHOTOGRAPHS PUBLISHED IN:
AmericanPHOTO
New York, New York
January/February, 1990
(1 reproduction)
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View Camera
Sacramento, California
May/June, 1991 (1
reproduction)
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Cite: The
Architecture and Design Review of Houston Houston, Texas Issue #39,
Fall, 1997 Texas Places (Cover plus 9 reproductions)
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Lenswork
Quarterly Portland,
Oregon Portfolio (12
reproductions) Interview on CD-ROM
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The Land
Report, Number 63 Salina,
Kansas Spring 1999,
(Front and Back Cover
plus 1 reproduction)
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View Camera, September/October
1999 (1 reproduction)
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The Land Report, Number 64,
Summer 1999. Salina, Kansas (3 reproductions)
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The Land Report, Number 65,
Fall 1999. Salina, Kansas (Front and Back Cover plus 3 reproductions)
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View Camera, March/April
2000, "High Plain Farm Portraits," Photographs and text
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Photographers' Companion,
Beijing, China February/2002 "High Plains Farm," Photographs; text in Chinese
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ARTICLES ABOUT:
Delaware Valley
News, Frenchtown, NJ
August 17, 1995. "Their
Life is Really in Focus," by James Heaphy
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New Hope Gazette,
New Hope, PA October
3, 1996. "Foundation
awards $120,000 to women photographersJudith Taylor, Paula Chamlee
receive grants."
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Doylestown
Intelligencer, Doylestown,
Pennsylvania October
22, 1996. "Grants
Fuel Careers," by Steve Wartenberg
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Amarillo Sunday
News-Globe Amarillo,
Texas November 10, 1996.
Life on the Plains,"
by Jeff Rhoads
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The Ithaca
Times, Ithaca New York
January 915, 1997.
"Close Contact,"
by Alison Shaw
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The Columbus
Dispatch, Columbus,
Ohio March 12, 1997.
"Parallel Views,"
by Tim Feran
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San Francisco
Chronicle, San Francisco,
California December
13, 1997. "The
Shops Around the Corner Photographer captures life in family markets,"
by Sam Whiting
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View Camera, Sacramento, California,
September/October 1999 "Mammoth Cameras," by Steve Simmons. Review of workshop in Salt
Lake City
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View Camera, Sacramento, California,
September/October 2000 "Seeing the Big Picture," by Lance Duffin
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Business Week, New York, New York,
April 30, 2001 "An Art Form Comes of Age," by Thane Peterson
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Chinese Photography,
Beijing, China, January, 2003, "The Story of an American Photographers Couple," Photographs; text in Chinese
Bucks County Herald, Lahaska, Pennsylvania, March 27, 2003. "Photographers
featured at Byers Bucks Fever Exhibit: Smith and Chamlee live and work in
Ottsville," by Karen Gross
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The Doylestown Patriot, Doylestown, Pennsylvania, March 27, 2003.
"Got the Fever? CBCC Art Exhibit Set to Open," by Jill Yris
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REVIEWS:
Photo Review,
Langhorne, Pennsylvania, Summer issue, 1995. Review of Natural Connections:
Photographs by Paula Chamlee, by Stephen Perloff
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Amarillo Sunday
News-Globe, Amarillo,
Texas, November 10,
1996. Review of High
Plains Farm, by Shelley Armitage
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El Paso Herald
Post, El Paso, Texas
April 30, 1997 Review
of High Plains Farm: "Books take different paths into the
past," by Mary Sarber
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Books of the
Week, Los Angeles, California
May, 1997 Review
of High Plains Farm: "U.S. farm lifein pictures,"
by John Austin
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Abilene Reporter-News,
Abilene, Texas July
13, 1997 Review of High
Plains Farm: "Daughter records tribute to parents way of
life," by Judyth Rigler
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Herald Democrat,
Denison,Texas, August
17, 1997 Review of High
Plains Farm: "High Plains Farm is a treasure," by Jerry
Lincecum
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Texas Books
in Review, Center for the Study of the Southwest, Southwest Texas State
University San Marcos,
Texas, Winter/Spring
19971998 Review
of High Plains Farm:" A Longing Look Back at a Disappearing
Texas"
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Lubbock Avalanche-Journal,
Lubbock, Texas, 1997 Review
of High Plains Farm exhibition at the Museum of the Llano Estacado,
"Chamlees Photographs Capture Feel of Growing up on Farm"
by Phillip L. Hamilton
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Panhandle Plains
Historical Review Canyon,
Texas (in press) Review
of High Plains Farm, by Joseph Walsh
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Great Plains
Quarterly Spring 1998 Review of High Plains Farm, by Bill Ganzel
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The Western
Library Journal 1999 Vol. 38. No. 1 Review of High Plains Farm,
by J.W. Graves
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Panhandle-Plains
Historical Review: 70 1997
Review of High Plains
Farm by Joseph Walsh
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Great Plains Quarterly,
Spring 1998. Review of High Plains Farm, by Bill Ganzel
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The Western Library Journal,
1999 Vol. 38. No. 1. Review of High Plains Farm, by J.W. Graves
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Philadelphia Weekly,
November 13, 2002, Review of exhibition at the Open Lens Gallery at the Gershman Y
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Philadelphia Inquirer, Philadelphia, Pennsylvania, April 20, 2003,
Review of exhibition at the Travis Gallery, New Hope, Pennsylvania, Husband
and wife showcase visions of Tuscan landscape, by Victoria Donohoe
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TEACHING:
1988
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Instructor in Photography,
Fine Arts Museum of the South, Mobile, Alabama |
1989
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Instructor in Photography,
Fine Arts Museum of the South, Mobile, Alabama
Conducted Workshop,
Fine Arts Museum of the South, Mobile, Alabama
Conducted Workshop, Leinkauf School, Mobile, Alabama
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1992
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Instructor in Photography,
Bucks County Community College, Newtown, Pennsylvania |
1994
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Co-conducted Workshop (with
Michael A. Smith), Academy of Film and Photography in Prague, Czech Republic |
1999
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Conducted Workshop (with Michael A. Smith) at Lotus
View Camera, Ostermiething, Austria
Conducted Workshop, "Mammoth and Panoramic Photography," (with Michael A. Smith and
Tillman Crane), Waterford Institute, Sandy, Utah
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville,
Pennsylvania
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2000
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Conducted Workshop, "Mammoth and Panoramic
Photography," (with Michael A. Smith and Tillman Crane), Waterford Institute, Sandy, Utah
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville,
Pennsylvania
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2001
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Conducted Workshop, Waterford Institute (with
Michael A. Smith), Sandy, Utah
Conducted Workshop, "Vision and Technique" (with Michael A. Smith), Ottsville,
Pennsylvania
Conducted Workshop (with Michael A. Smith), Pforzhiem, Germany
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2002
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Conducted Master Class (with Michael A. Smith), Montgomery College, Rockville, Maryland
Conducted two Workshops, "Vision and Technique" (with Michael A. Smith), Ottsville, Pennsylvania |
2003
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Conducted Workshop in Pasadena, California (with Michael A. Smith)
Conducted Workshops in Ottsville, Pennsylvania (with Michael A. Smith) |
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LECTURES:
1992
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Bucks County Community College,
Newtown, Pennsylvania |
1994
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American Cultural Center, Prague,
Czech Republic |
1995
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Deep Springs College, Deep
Springs, California
Photographic Archives Gallery, Dallas, Texas |
1996
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Amarillo Museum of Art, Amarillo,
Texas
Dallas Museum of Art, Dallas, Texas |
1997
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Cornell University, Ithaca,
New York
Center for Contemporary Art, Abilene, Texas |
1998
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University of Minnesota, Minneapolis,
Minnesota |
2001
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St. Petersburg Museum of Art, St. Petersburg,
Florida
University of Memphis, Memphis Tennessee |
2002
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Berkshire Museum, Pittsfield, Massachusetts |
2003
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Messiah College, Grantham, Pennsylvania
Travis Gallery, New Hope, Pennsylvania |
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OTHER
PROFESSIONAL ACTIVITIES:
19861989
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Board of Advisors, Art and
the Alabama Woman, Mobile, Alabama |
1989
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Advisory Board of the American Sport Art Museum and Archives, United States Sports Academy, Daphne, Alabama |
1989
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Juror, Camera South Exhibition, Mobile, Alabama |
1996
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PBS documentary film about High Plains Farm, produced by KACV-TV, Amarillo, Texas |
2002
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Conference Participant and Presenter: Large Format Conference, Albuquerque, New Mexico |
2003
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Panel Member—On Collecting Photography, Travis Gallery, New Hope, Pennsylvania |
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